摘要
莫言在小说中塑造了多种多样的女性形象,这些女性敢爱敢恨,泼辣勇敢,富有主动性,与中国传统小说对女性的书写有着显著区别。在《丰乳肥臀》中,莫言着重书写了三种类型的女性,她们是莫言泛文本的知识谱系中苏俄文化镜像本土化的文学继承和创造性改写,体现出莫言对于女性心灵美和人性美的神性崇拜。
Mo Yan created in his novels a variety of female characters,who dare to love and hate,bold and aggressive,quite different from the women images in traditional Chinese. In Big Breasts and Wide Hips,Mo Yan focuses on three types of female images,which embody the Mo Yan's localization and creative rewriting of Russian cultural images. Such inheritance reveals Mo Yan's divine worship for inner female beauty and humanity.
出处
《山东女子学院学报》
2015年第6期86-89,共4页
Journal of Shandong Women's University
基金
国家社会科学基金重大招标项目"世界性与本土性交汇:莫言文学道路与中国文学的变革研究"(项目编号:13&ZD122)
关键词
《丰乳肥臀》
镜像
女性形象
苏俄文学
本土化
Big Breasts and Wide Hips
mirror image
female image
Russian literature
localization