舞武同源论

A Homologous Theory of Dance and Wushu

中国的文化历史悠久且丰富多彩,在其博大精深的传统文化中,有两只散发着奇异芬芳的奇葩,这就是广大人民群众非常喜爱的中国舞蹈和中国武术。舞蹈和武术的种类繁多,风格迥异、各具特色,且自古就有武舞同源之说。纷繁的中国传统文化中,中国舞蹈和中国武术凭借着它们特殊的结构和文化性质得到了源源不断的滋养,在二者的形成和发展过程中,有分有合,你中有我,我中有你,在不断的分合中,二者中的"形"与"意"是相互交融的。本文着重对舞和武的本体特质进行分析和比较,揭示了二者难以割舍的联系和差别。

Chinese culture has a long history and is rich and colorful. And in the extensive and profound traditional culture, there are two wonderful flowers sending out special fragrances, that is, Chinese dance and Chinese wushu(martial arts), which are well-liked by the broad masses of the people. There are a great variety of different styles with their own characteristics in both dance and wushu,and the homologous theory of dance and wushu has been known since ancient times. In the complex traditional Chinese culture, Chinese dance and Chinese wushu have received a stream of nourishment by virtue of their special structures and cultural properties. During the process of formation and development of Chinese dance and Chinese wushu, they have both experienced splits and reunions and own something in common in each other, thereby becoming inseparable. In the constant splits and reunions, the 'form' and 'will' of the two have blended mutually.This article analyzes emphatically on the ontological characteristics of dance and wushu for a comparison to reveal the relationships and differences between the two,which are hard to part with each other.