摘要
如今在景德镇,可以看到许多陶瓷釉色和绘画相融合的作品,呈现出抽象绘画的效果,丰富的色彩应用加上好看的器型,十分养眼。而早在20世纪90年代初,中国美术学院陶瓷与工艺美术系主任戴雨享教授就已经在尝试这一创作手法——他像画油画一样铺开装满数十种釉色的吹釉筒,将不同的釉色进行厚薄吹制和重叠,经过上千度的高温烧制,随后在陶瓷作品上呈现出各种绚丽多彩的艺术效果,这种经验的积累,对戴雨享之后的创作产生了重要的影响。彼时还以使用单色釉为主的景德镇同行对此都觉得新奇不已。
Dai Yuxiang,professor of China Academy of Art and the ceramic artist,has made many achievements in the fields of ceramic,porcelain and painting.His works have broken through the traditional mode and modelling for the sake of creation.His works,fusing with landscapes,flowers and birds as well as figures of Chinese traditional painting,present a wonderful glaze on the base of natural texture of ceramic,which implies his concern over the world and life in the universe.Apart from that,his works are famous in the circles of Chinese modern ceramics for their unique style.
出处
《浙江画报》
2015年第4期48-51,共4页
Zhejiang Pictorial
