摘要
近一二十年来,工笔画在全国范围的悄然复兴已是不争的事实。工笔画中的人物画,是中国帛纸绘画传统中最先出现、成熟并臻于完美的一科。耐人寻味的是,早熟往往带来早衰,以工笔人物画流传千古的绘画大师币寥若晨星。文人画传统的主流载体是写意山水与花鸟,而今水墨画之所以有这样的声势,其基点在于有这样一个深厚而伟大的艺术传统可以吸收、参照,甚至反叛。如果说。
In recent two decades,it’s an indisputable fact that the meticulous style painting is undergoing its nationwide revival.The artistic practice of Li Zihou is a good example of the revival.Themed on women living in Jiangnan water towns.his works shows the audience a sort of grand and new aesthetic vision.Besides,Li always seeks humanistic concern as well as perfection in artistic exploration.
出处
《浙江画报》
2017年第5期41-45,40,共6页
Zhejiang Pictorial