摘要
明清之际,紫砂艺术随饮茶风尚的改变而日趋繁荣,出现了供春、时大彬、陈鸣远、陈曼生、瞿应绍、梅调鼎等一批留名青史的紫砂名家。前三位以独具一格的紫砂技艺闻名,后三位则以诗文书画之功丰富了紫砂艺术的审美意蕴,使紫砂壶成为文人审美的载体。
The flat pot, one of the eight pots collection of Mr. Tang Yun, is like an oblate hard rock with rough surface. It was engraved with Chen Mansheng’s inscription 'The Flat Rock Quenches My Thirst', which represents its elegance and clumsiness. The inscription verifies the pursuit of Chen Mansheng and also inherits the scholarly style of Tang Yun. We can see two scholars’ literary accomplishment and their feelings in the flat pot.
出处
《浙江画报》
2019年第3期54-57,共4页
Zhejiang Pictorial
