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汲古修绠 井养无穷

The Well Teapot
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摘要 '古者穿地取水,以瓶引汲,谓之为井。'凿井取水之法,使先民们得以摆脱对地表水源的依赖,改变逐水草而居的游牧生活,在广阔的内陆定居下来。'凿井而饮,耕田而食',完成了文明的一次跨越。在漫长的农耕社会里,井是聚落的核心,是供养生命的源泉,也是最具乡思的物象。《易经》'井卦'寓'君子修德,终始无变之象',马致远《汉宫秋》有'背井离乡,卧雪眠霜'的无尽苍凉. In the Tang Yun Art Gallery by the West Lake,there is a Mansheng Well Teapot collected by Shanghai-school painting master Tang Yun.As one of the'Eight Teapots',its appearance and inscription are closely linked with the cultural connation of the'well',which has a metaphorical meaning of modesty and is thought-provoking.Tang Yun’s collection of Mansheng Teapot is based on the principle of'collection for use'and he treats those teapots as his friends and often gains inspirations from them.
机构地区 不详
出处 《浙江画报》 2019年第7期58-61,共4页 Zhejiang Pictorial
关键词 曼生壶 陈曼生
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