摘要
张爱玲用嘲弄和批判的笔法,书写她作品中包括父亲在内的男性形象,通过他们由表及里的残缺情形,表达了她对男性世界的无情贬抑和彻底颠覆。被张爱玲放大了的男性的人性弱点与阴暗面书写,是建立在人与时代的命定结构关系之上的。这别有意味的男性世界重设,消解了张爱玲对现实与未来的荒凉感和悲剧感,是她荒原意识的另一种诉求。
With the technique of scorn and criticism, Eileen Zhang depicted in her works the male characters, including fathers, all of whom were situated in a thorough incompleteness, and expressed her merciless disdain together with entire subversion on masculine world. The exaggeration of portrait on male nature's flaws and grim side was structured upon the pre-destined affinity between mankind and the epoch. Profoundly-designed and meaningfully-interweaved, the reconstruction of the masculine world eliminated Eileen Zhang's sense of desolation and tragedy to present and future, and served as another form of pursuit of her wasteland consciousness.
出处
《河北北方学院学报(社会科学版)》
2008年第3期6-8,共3页
Journal of Hebei North University:Social Science Edition
关键词
张爱玲
男性世界
书写策略
脉象
Eileen Zhang
masculine world
writing strategy
pulse tracings