中国原创音乐剧的身份认同研究

Research on the Identity of Original Chinese Musicals

中国音乐剧在世界文化一体化的过程中,通过不断的文化交流和文化趋同,开始对本土身份进行自我确认,原创音乐就是其自我身份确认的重要表现。中国音乐剧在发展过程中经历了照搬——汉化——原创的历程,在处理本土化和国际化、改编和原创的过程中,对音乐主题的把握、艺术和市场的关系、音乐剧的工业化趋向以及多种艺术元素的综合等方面还存在许多需要重新认识和探究的问题,这也是本土原创音乐剧这种"新的艺术样式"能够展示它的文化特性必须面对的问题。

In the global process of world culture and through unceasing cultural communication and convergence,Chinese musicals start their self-affirmation of local identity,in which original music is one important expression.In the development process,Chinese musicals go through indiscriminate imitation,Sinicizaion and originality.In the process of dealing with localization and internationalization,and adaptability and originality,there are a number of new understandings and problems in the grasp of musical themes,the relationship between art and market,industrialized tendency of musicals,and the integration of diversified artistic elements.They are also the problems which Chinese original musicals,this new pattern of art,have to face when their cultural features can be shown.