摘要
该文考察了康德美学、后康德美学和环境美学对自然美和艺术美的关系的处理,在此基础上揭示了自康德到环境美学的美学体系性建构与自然美和艺术美之关系的本质性关联。康德美学把自然美和艺术美的关系阐释为自然美和艺术美的同一,以黑格尔美学为代表的后康德美学把自然美和艺术美的关系把握为艺术美对自然美的同化,环境美学则将二者的关系理解为自然美对艺术美的同化。美学的体系性建构必须对自然美和艺术美的关系这个美学的基本问题进行解答,这个解答不仅关涉着美学体系的完整性,而且在一定的层面上决定着美学思想的真理性。
This paper investigated the relationship between natural beauty and artistic beauty in Kantian aesthetics,Post-Kantian aesthetics and Environmental aesthetics.On the basis above,it revealed the essential relevance of the systematic construction of aesthetics from Kantian aesthetics to Environmental aesthetics with the relationship between natural beauty and artistic beauty.Kantian aesthetics interpreted the relationship between natural beauty and artistic beauty as the identity of the two.The Post-Kantian Aesthetics which was represented by Hegel’s aesthetics interpreted the relationship between the natural beauty and artistic beauty as the assimilation of artistic beauty to natural beauty.Environmental aesthetics understood the relationship between the two as the assimilation of natural beauty to artistic beauty.The systematic construction of aesthetics must answer the relationship between natural beauty and artistic beauty which as a basic question of aesthetics.This answer not only relates to the integrity of the aesthetics,but also determines the truth of aesthetic ideology on a certain level.
作者
王中原
Wang Zhongyuan(Research Center of the Arts,Henan University,Kaifeng 475001)
出处
《浙江社会科学》
CSSCI
北大核心
2019年第3期127-133,159,共8页
Zhejiang Social Sciences
基金
国家社科基金重大项目"生态美学的中国话语形态研究"(18ZDA024)阶段性成果
关键词
自然美
艺术美
康德美学
黑格尔美学
环境美学
natural beauty
artistic beauty
Kantian aesthetics
Hegel’s aesthetics
environmental aesthetics
