小森阳一的后殖民主义批判——基于语言(“国语”)、文学、历史事件及媒体的文本分析

The Postcolonial Critical Practice of Komori Yoichi——A Multidimensional Study of Linguistic Analysis,Text Reading of Literary Works,Researches in Historical Affairs and Media Performances

本文以日本当代左翼文学批评家、公共知识分子小森阳一的后殖民主义批判为研究对象,从语言、文学、历史事件以及媒体等四个层面,对小森的后殖民主义理论进行了解读。其中,由语言到文学,再到历史事件是一个由点到面的过程,而具有一过性、不可重复性的历史事件的发生又是以能够构建和复制的语言、文学为表象的。另一方面,媒体在这个过程中所发挥的不再仅仅是作为'工具'的媒体,而是媒体本身也被纳入了后殖民主义批判的对象文本中。小森阳一的后殖民主义批判由此形成了一种立体的、多层次的批判范式,其中,对'自由史观'的坚决反对和对日本民族主义的尖锐批判博得了众多中国知识分子的喝彩,但我们也必须认识到其具有一定的局限性。

This study object of the thesis is the postcolonial critiques of contemporary literary critic as well as public intellectual Komori Yoichi,in the dimensions of linguistic analysis,text reading of literary works,researches in historical affairs and media performances.The study expands from linguistic and text analysis of literary works to the ephemeral historical affairs which is represented in the copy and rendition of words.The function of media,more than being instrumental in representing the history,is another critical target in Komori Yoichi’s Postcolonial critiques.The comprehensive critical practice of Komori Yoichi has established a cubic,multidimensional paradigm on the map of Postcolonial criticism.