电影的审美追求与观众的审美期待——以电影《死侍》为例

Aesthetic Pursuit of the Films and Aesthetic Expectation of the Audiences: Taking the Movie Deadpool as an Example

电影创作的审美追求是以观众的审美心理需求为内在动力,两者往往处于一种适应或契合的状态。电影《死侍》在其叙事空间构成中,采用'打破第四面墙'的方式,实现与观众的直接交流沟通和另类互动;在人物形象塑造中,通过其'反英雄'的身份认同,实现对传统英雄人物的重构,使之最大限度地接近现实和观众。加上对游戏娱乐因素的追求,影片在实现'陌生化'艺术效果的同时,使观众获得一种审美的另类体验,满足了观众的审美趣味和心理需求。

The aesthetic pursuit of movie creation is motivated by the audiences’aesthetic psychological needs,which are often in a state of adaptation or agreement.In its narrative space,the movie Deadpool adopts the method of'breaking the fourth wall'to realize the direct communication and alternative interaction with the audiences.In the shaping of characters,through the identity of'anti-heroes',the reconstruction of traditional heroes is realized to maximize the proximity to reality and audience.Coupled with the pursuit of entertainment factors,the film achieves the artistic effect of'defamiliarization'while enabling the audiences to obtain an aesthetic alternative experience that satisfies the audiences’aesthetic taste and psychological needs.