赤青黑白的文学世界——谷崎润一郎文学作品的色彩研究

Literary world mixed with the color of red, cyan, black and white: Color study on Tanizaki Junichiro’s literary works

作为唯美派的代表作家,谷崎润一郎擅长运用具有微妙变化的色调以及视觉中融合嗅觉、味觉、触觉的表现技巧,勾勒出他对文学世界的丰富感受力;同时赋予色彩独特的审美情感和价值意蕴。谷崎的文学作品中,赤色是让女主升华、男主沦陷的法器,具有魔性的力量;青色总是伴随妖女的登场,象征诱惑力和想象力;黑色通过与彩色的对比或组合,具有多重象征性;白色通过女性的肉体象征生命的活力和激情,并从初期作品中明亮刺眼的纯白和雪白逐渐淡化成中、晚期作品里阴翳中的朦胧白和月晕中的乳白,演绎东方古风幽玄的回归。谷崎润一郎的色彩世界源于他对东方文化强烈的身份认同和对西方文化的内化吸收。

As a representative writer of aesthetism school,Tanizaki Junichiro is adept at applying the colors with subtle changes and the expression techniques of combining the senses of sight,smell,taste and touch in visual sense to demonstrate his rich feeling of literary world.At the same time,he endows color with unique aesthetic emotion and significant value.In Tanizaki’s literary works,the red color is a magic weapon to sublimate the female leading role and submerge the male leading role.The cyan color always accompanies the appearance of a siren,symbolizing temptation and imagination.The black color demonstrates its multiple symbols by comparing or combining with other colors.The white color symbolizes vitality and passion of life through the female body.In his early works,dazzling pure white and snow white gradually fade into shadowy obscure white and milk white presented in lunar halo in his middle and late works,showcasing the return of the oriental ancient mystery.The color world of Tanizaki Junichiro stems from his strong identity for oriental culture and internalized absorption of western culture.