摘要
《逃离德黑兰》是本·阿弗莱克导演的根据真实故事改编的传记片,并获得了第85届奥斯卡最佳影片等多项大奖。该影片从选材到改编再到获奖都体现了其政治色彩。影片中导演个人的主体意识,美国话语权利与伊朗异质话语的二元对立以及历史真实与虚构三个方面体现了该影片是被重构的历史。基于新历史主义视角,对以上三个方面进行解读,探究历史具有主观性,而文学同时也具有历史性在该影片中的体现,从而警醒观众在欣赏此影片时应该全面地看待当时的历史,以防被美国的意识形态所误导。
Argo is a biographical film based on a true story produced by Ben Affleck,which has won the 85 th Academy Award for Best Picture. This film has the shadow the politics from its material,adaptation and award. It can be concluded that the film is a reconstructed history from the following three aspects: the cut and adaptation of history based on the director’s ideology,the binary opposition between American mainstream discourse and Iran’s heterogeneous discourse and the different description about history among America and other countries. These three aspects will be analyzed from the perspective of New Historism to explore the idea that history is subjective and literature is historical is reflected in this film. Therefore,the goal of this paper is to alert the audience not being misled by the America ideology and to retrospect this history objectively and comprehensively.
出处
《中南财经政法大学研究生学报》
2015年第3期111-114 34,34,共5页
Journal of the Postgraduate of Zhongnan University of Economics and Law
关键词
新历史主义
历史与文本
意识形态
二元对立
New Historicism
Argo
History and Text
Ideology
Binary Opposition