关于《诗经·国风》的寓言诗学——现代阐释学视野中的《毛诗序》

Allegoric poetics of the “Dukedom’s Poetry” in Book of Songs

宋代以降 ,关于《毛诗序》的存废之争不断。但《诗经》研究界在批评《毛诗序》遮蔽了《诗经》“本义”的同时 ,又以《诗经》“本义”遮障了重新发现《毛诗序》诗学价值的目光。从现代阐释学和寓言诗学的视域看来 ,《毛诗序》已经建构了一套完整的关于《诗经·国风》的寓言诗学 ,并具备有效的寓言化阐释策略。但是《毛诗序》

Since the Song Dynasty, the controversy that if the Preface to Book of Songs wrote by Mao Heng should be maintained or not have never ceased. The scholars of Book of Songs have prevented the poetic value of the Preface by Mao Heng from being rediscovered by studying the primary meaning of Book of Songs while they criticized that the Preface concealed the primary meaning of Book of Songs. From the perspective of modern allegoric poetics, the Preface of Book of Songs set up an allegoric poetics of the ancient Chinese poetry and a series of tactics of allegorization, though his allegoric poetics has some obvious defects.