审美认知的思想辩证法——兼论审美的“第二客体”

The Ideological Dialectics of Aesthetic Cognition:On the “Second Objects” of Aesthetics

人的审美活动由审美认知和审美元认知这两大过程构成,它们分别拥有不同的主体定位和客体对象;其间,在人之自我觉识性审美意识的下行性投射作用下,审美主体与外在审美客体的相互作用导致第二客体形成,由此引发了人之心灵、大脑和身体系统之自下而上和自上而下的复杂的多层级相互作用,致使完满的审美意象得以次第创生、进而深度引致人的彻然无上的审美快感得以厚积薄发,充分体现了审美主客体之间相互对立、彼此渗透与增益、相互转化、相互迭代与递归、彼此协同与相互统一的系列性辩证法原理。

Human aesthetic activities are composed of two processes: aesthetic Cognition and aesthetic metacognition. They have different subject orientation and object object respectively. In the meantime, the interaction between the aesthetic subject and the external aesthetic object leads to the formation of the second objects under the downward projection of the human self-conscious aesthetic consciousness. This leads to the complex multi-layer interaction of human mind, brain and body system from bottom to top and from top to bottom, causing the full aesthetic image to be created in the first place, and then the profound aesthetic pleasure of the deeply caused by the depth of the people, and therefore fully embodies the mutual antagonism and infiltration among the aesthetic subjects and objects. The principles of serial dialectics, which are mutually beneficial and mutually transformed, mutually iterative and recursive, cooperate and integrate with each other.