性别诗学角度下的宋词“帘幕”世界

“Curtain” World in Song Poems under the Perspective of Gender Poetics

"男主外"而"女主内"是中国儒家的传统礼教,宋代程朱理学的发展,"男外女内"的教化礼仪得到强化。"帘幕"可垂可卷,有着阻隔和连接内外的功能,在内外世界交接的地方,存在着双性目光的交流。"帘幕"意象由此获得性别角度上的内涵,不同性别主体探知的"帘幕"世界大相径庭:"男子作闺音时"借"帘幕"背后的女性生活表达自我心境,使词作具有"双性之美"的审美特质;女性词人则借用"帘幕"反映自身深居内院的孤独生活以及展现自己对自我角色的期待,具有"自我觉醒"意识。

The point of view of'Men's work centers around outside while women's work centers around the home' is Chinese traditional Confucian moral code. Moreover, with the development of the Neo-Confucianism, the civilized manners were strengthened in Song Dynasty. There are bio-view communication in the place where the inside world and the outside world connected.'Curtain' can be hang down or rolled up, and it can not only block but also connect the inside world and the outside world. From this perspective, the'curtain' image obtained the connotation of gender level and the'curtain' world differs according to different gender subject detections: When'the man makes the boudoir sound', he actually tries to use the 'women behind the curtain' to expess the self-state of mind; therefore, his words has aesthetic characteristics of'the beauty of bisexual'. While the female poets use 'Curtain' image to reflect their own lonely life of living far in the inner court and show their expectations of self role, which containing the consciousness of 'self-awakening'.