摘要
梁启超的传记创作实践与他的传记创作理论存在着一定的差距,甚至是背离。梁启超理论上虽强调传记写作的忠实客观,实际上却将传主塑造成平面化的英雄;理论上虽排斥将史作为宣传工具,实际上却将传记书写作为抒发自己政见的工具,因而大部分传记作品充满着强烈的政治色彩。这种背离现象的出现,主要缘于梁启超"史学范畴"的传记观,且与他的"新史学"思想息息相关。
There is a distance, or even divergence between the creative practice and the theory of Liang Qichao 's biography. He emphasizes the faithful and objective biography writing in theory, but actually shapes the heros into graphic heros; he rejects taking history as a propaganda tool, but actually changes the biography writing into a tool to express his political views, leading to the powerful political overtones of his biographical works. The emergence of these deviations results from Liang Qichao's history biography view, and relates to his new historical thoughts closely.
出处
《华中师范大学研究生学报》
2015年第1期23-26 37,37,共5页
Central China Normal University Journal of Postgraduates
关键词
梁启超
传记创作
传记理论
新史学
Liang Qichao
the creation of biography
biography theory
the New History