摘要
研究明清时期闺阁文化,需要从多层次与空间进行考察。高彦颐的相关研究提供了良好的范式,按照诸女性不同的社会身份阶层,展开讨论,对于特殊身份的女性亦应有所关照。闺阁文化的存在空间,可从闺房向外扩展,具有流动性。闺阁之中,物质、精神生活等多层次,显示出各自文化特征,从多维度的层次与空间视角着眼,可见明清时代独特的闺阁文化风情。
When studying the boudoir culture of Ming and Qing Dynasties, it is essential to investigate from multiple gradations and spaces. Study of Dorothy Ko's relative works, which develop the discussion according to the females 'separate social levels, provides a good researching pattern. The females with special social status should also be noticed. The existing spaces of boudoir culture expand from inner chambers to outdoors, through which show the mobility. In the inner chambers, material and spiritual life spread respective cultural characters in different gradations. Under the perspective of multiple gradations and spaces, the boudoir culture during Ming and Qing era show distinctive enchantments.
出处
《华中师范大学研究生学报》
2015年第1期130-134,共5页
Central China Normal University Journal of Postgraduates
关键词
闺阁文化
层次
空间
明清
boudoir culture
gradations
space
Ming and Qing Dynasties