摘要
《小山词》书写女性形象,除了晏几道因个人性格、人生际遇等带来的"同是天涯沦落人"的共鸣而产生的情深、情痴外,词作中还呈现出对女子外在美的关注。晏几道在描摹时流露出一种"体物"倾向,即带着一种观赏性的态度去品鉴作为他生命过客的歌儿舞女们,对她们的容貌、服饰等都有着精雕细琢的描写,真实地再现了女子们的外在形象。这使《小山词》女性形象的书写除却"缘情"的一面,在表现手法上具有"体物"的特征。
In addition to the feeling of infatuation which is due to the author's personality and experiences, Xiaoshan Ci focuses on physical beauty of female, and shows the 'form-and-thing' trend when describing female consciously,which means, during writing, the writer appreciates the dancers who are the passer-by in his life under ornamental attitude. This kind of artistic technique truly reproduces the external image of women at that time, and makes the feature of female image described in Xiaoshan Ci not only of emotion but also of the 'form-and-thing'.
出处
《华中师范大学研究生学报》
2015年第2期78-83,共6页
Central China Normal University Journal of Postgraduates
关键词
晏几道
小山词
女性形象
体物性
Yan Ji-dao
Xiaoshan Ci
female image
'form-and-thing'