韩少功乡土小说阶段论

A Study on the Three Stages of Han Shaogong's Local Novels

韩少功是一位不断追求新变的作家,但是在他创作的三个不同阶段又不约而同地关注中国乡村。早期启蒙视角下,乡村描写仅作为宏大主题的背景,不具备独立文化意义。到寻根文学时期,韩少功逐渐注意到乡村风俗的独特价值。90年代,他开始关注西方理性话语对乡村的遮蔽和表述,挖掘乡村方言背后的文化价值,从而对中国乡村进行去蔽,向读者呈现一个真实而又诗性的乡土。在这个过程中,他还站在民间立场上,倡导回归乡土。

Han Shaogong is a writer who continues to be innovative,but at the three different stages of his writings,he invariably casts his eyes on China's rural lands. At the early enlightenment stage,the description of rural areas only functions as the background of the grand theme,which lacks independent cultural significance. At the stage of root-seeking,Han Shaogong gradually recognizes the unique values of rural customs. In the nineties,he begins to pay attention to the impact of Western rational discourse on China's countryside. Therefore,he starts to dig out the cultural values of the rural dialects,so as to present the reader with a real and poetic picture of the rural lands. During this process,Han Shaogong also stands with the folks and advocates the returning to countryside.