摘要
庐隐是"五四"时期以书写个人心路著称的女作家,她的大部分小说都具有浓厚的"自叙传"抒情色彩。感伤的情感基调则是庐隐主观抒情小说的主旋律。无论是庐隐笔下的自然环境,还是她所塑造的人物形象,无不染上浓郁的悲哀色调,甚至作家本人还常常在小说中直接抒发苦闷的情绪,构成了文本中无处不在的哀感潜流。庐隐这般悲愁、哀婉风格的形成,是强调主观抒情的"五四"浪漫主义思潮与作家坎坷的人生际遇以及"五四"退潮以后苦闷、彷徨的时代背景遇合的产物。庐隐整个创作生涯,一直贯穿着"五四"的主题和感伤基调,在后期又呈现出一定的转型迹象。因此,从浪漫主义的角度切入文本,对理解庐隐抒情小说的感伤风格及其与时代构成的对话关系,具有十分重要的意义。
Lu Yin is a female writer known for writing personal thoughts during the May 4^(th) period. Most of her novels have a strong lyrical tone of self-description. The sentimental sentiment style is the main trait of the subjective lyrical novel. Whether it is the natural environment described by Lu Yin,or the figures she has created,are stained with sorrow. Even the writer often expresses sentimental emotion in the novel,which constitutes the omnipresent sadness in the text. The formation of such sadness and mourning style is a product of the combination of subjective lyricism and the times background of the "May 4^(th) period"romanticism trend and the writer's life experience and the depressed and embarrassing times after the May 4^(th) ebb. Retiring from his creative career,he has been running through the themes and sentimental tone of the May 4^(th) Movement and has shown some signs of transformation in the later period. Therefore,from the perspective of romanticism into the text,it is of great significance to understand the sentimental style of Lu Yin's lyrical novel and its dialogue with the era.
出处
《华中师范大学研究生学报》
2018年第1期64-69,共6页
Central China Normal University Journal of Postgraduates