立体主义视域下的鉴赏批评——《文心雕龙》与《文赋》《诗品》比较

A Comparative Review of Wenxindiaolong,Wenfu and Shipin from the Perspective of Cubism

《文赋》、《文心雕龙》和《诗品》的鉴赏批评有着相近的视野:"述先士之盛藻"、"弥纶群言"和"网罗今古",又有相异的理论:陆机主张"考殿最于锱铢",刘勰提倡"博观圆照",钟嵘倡导"评品滋味"。三部文论著作的立体主义艺术观念的现代阐释是:一方面,文学是全方位观照的有机组装,陆机倡导"玄览中区",刘勰追求"神与物游",钟嵘标举"应资博古";另一方面,文学是穿越表象的永恒理念,陆机意在"得其用心",刘勰旨在"雕琢文心",钟嵘倾心于"照烛三才"。

This article talks about the three literary and artistic works in ancient China such as Wenxindiaolong(The Literary Heart and the Carving of Dragons),Wenfu( Quality of Prose and Verse) and Shipin( Quality of poems). Despite a shared perspective of criticism,i. e.,covering a wide range of writers through the ages,they preserve the distinctive identities of their own. Wenfu advocates a comprehensive examination of all works,Shipin enjoying the taste of art and literary review while Wenxindiaolong focuses on the subtle differences between works. Meanwhile,this article offers a tentative interpretation of the cubist art concepts of the three literary works.