徐玉诺创作的表征手法及其转变

Artistic Approach of Xu Yunuo's Works and Its Transformation

徐玉诺1920年代的创作在散文化、诗化的自由表述中,利用伏笔、省叙和倒叙等手法营造出戏剧化效果。作者充分调动象征、隐喻及反讽等修辞手段,实现自我对现实人生和对生存命题的思考。随着1950年代社会大潮的转变,上承1930年代创作大众化的特点,其创作的叙事性压倒了抒情性,表现集体的大我掩盖了小我,理性化彻底遮蔽了个性和想象的升腾,取代自我低吟的是创作的宣传鼓动性质,无论是立意还是形式都与1920年代的创作大相径庭,其中最明显的就是文本中"有我"与"无我"的差别。

The essays and poems written by Xu Yunuo in 1920 s employ many techniques of expression such as foreshadowing,omission and flashback to produce a dramatic effect. Besides,some rhetoric devices like symbolization,metaphor and irony are widely used. As a result of the tide of social transformation in the 1950 s,Xu's creation,connected with the foregoing popularization in 1930 s,tends to be narrative rather than expressive so that the collective self takes the place of the individual self,and idealization takes the place of the individualism,showing an apparently different feature from his works in 1920 s whether in the form or in the nature.