摘要
文学史家对明朝中期文学思潮多以"复古"概之,认为何景明、李梦阳是其两大旗手。复古旗帜之下,二人在对待"古"的诗文理论主张上存在明显差异,李梦阳倾向"守",何景明重在"变"。"言意之辩"是二人争论的焦点并寓于"守变"之中。何景明重"变"根源于对老庄哲学的"一"和"万"的关系的理解。二人对"古"的态度差异正反映了他们对待"传统"的态度差异,何景明对待传统的"通变"态度给今天的文学发展以启示。
In the middle time of Ming Dynasty,the mainstream of literature was a trend of retro with He Jingming and Li Mengyang as the two greatest pioneers. However,they had obvious differences on the theory of poetry with the former's sticking to old ways and the latter's changing which originated from the relationship between the'single'and'myriad'in Lao Tse and Chuang-Tzu philosophy.These differences just reflect their different attitudes towards the tradition.
出处
《郑州师范教育》
2015年第4期48-51,共4页
Journal of Zhengzhou Normal Education
关键词
复古
论争
守变
老庄哲学
retro
disputes
sticking and changing
Lao Tse and Chuang-Tzu philosophy