二胡作品中的悲情色彩分析

Analysis of Pathos in Erhu Performances

"丝不如竹,竹不如肉"的传统审美倾向,使二胡逐渐向旋律至上、近人声的方向发展,其作品也多以歌唱性、抒情性为主。二胡多有悲情色彩的作品,《二泉映月》的广泛流传,也使民众对二胡产生未闻其声先感其悲的独特审美心理。本文通过对二胡悲情题材作品进行分类,结合中国美学中的尚悲倾向,对二胡悲情效果成因进行分析。二胡作品不仅拥有含蓄式的悲情,也包含激烈矛盾冲突式的悲壮。二胡擅于表达音乐情绪的强大潜力,也是悲情二胡作品得到观众喜爱的重要因素。

The paper firstly makes classification of Erhu performances with pathos and then, based on the pathos-oriented Chinese aestheticism, analyzes the causes for the pathos effect. The paper believes that the musical instrument Erhu is fit for emotional expressions so that pathos in Erhu performances is implicitly introverted and explicitly intense at times.