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《红字》的陌生化叙事艺术 被引量:1

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摘要 陌生化手法是霍桑《红字》中一个突出的叙事艺术。这一艺术手法增强了作品的张力和含混,延长了读者对作品的领悟,让作品与读者保持恰如其分的审美距离,从而增强了作品的文学美学效果,提升了作品的文学价值和艺术感染力。
作者 王家和
出处 《作家》 北大核心 2013年第07X期63-64,共2页 Writer Magazine
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参考文献7

  • 1潘志明.罗曼司:《红字》的外在叙事策略[J].外国文学评论,2006(4):67-77. 被引量:6
  • 2Hawthorne,Nathaniel.The Scarlet Letter[]..1962
  • 3Chase,R.American Novel and its Tradition[]..1980
  • 4Baym,Nina.The Scarlet Letter:A Reading by NinaBaym[]..1986
  • 5Raymond W Gibbs,Herbert L.Colston.Irony In Languageand Thought:A Cognitive Science Reader[]..2007
  • 6Shklovesky,Viktor."Art as Technique"[].Literay Theory:An Anthology.2004
  • 7Abbott,H Porter.The Cambridge Introduction to Narrative[]..2008

二级参考文献27

  • 1姚乃强译.《红字》(南京:译林出版社,1997).
  • 2Nathaniel Hawthorne,The Scarlet Letter, The Centenary Edition of The Works of Nathaniel Hawthorne, eds., William Charvat and others,Columbus: Ohio State UP, 1983, p. xvii.
  • 3Nathaniel Hawthorne, The Scarlet Letter 第2页附的《红字》手稿标题页复印件.
  • 4Joan Dayan, "Romance and Race," The Columbia History of the American Novel, ed. , Emory Elliott,New York: Columbia UP, 1991, p. 104.
  • 5Terence Martin, "The Romance," in Emory Elliott et al,eds. , The Columbia History of the American Novel, Columbia University Press, 1991, p. 72.
  • 6M. H. Abrams, A Glossary of Literary Terms, 5^th ed. ,Fort Worth: Holt, Rinehart and Winston, 1988, p. 119.
  • 7C. Hugh Holman, A Handbook to Literature, 4^th ed. , Indianapolis: Bobbs-Merrill, 1980, p. 387.
  • 8J. Donald Crowley, ed. ,Hawthorne : The Critical Heritage, London : Routledge and Kegan Paul, 1970, pp. 111 -26, pp. 126 -34.
  • 9Lionel Trilling, The Liberal Imagination: Essays on Literature and Society, Oxford : Oxford UP, 1981,pp. 193 -209.
  • 10Richard Chase, The American Novel and Its Tradition, London: G. Bell and Sons, 1958, pp. vii-xii.

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