1G. K. Chesterton, "A Defence of Detective Stories", in The Art of Mystery Story : A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 6.
2Michel Foucault, Discipline and Punish, Alan Sheridan trans. (London: Alien Lane, Penguin Boods Ltd., 1977),pp. 68- 72.
3Theodor W. Adomo, Aesthetic Theory, Gretel Adomo and Rolf Tiedemann eds. ( Minneapolis : University of Minnesota Press,1977), p. 4.
4Thomas de Quincey, "On Murder Considered as One of the Fine Arts", in The Works of Thomas de Quincey, Vol. 6, David Groves and Grevel Lindop eds. (London: Picketing & Chatto,2000), p. 115.
5Julian Symons, Bloody Murder, From the Detective Story to the Crime Novel: A History (Hong Kong: Papermac, 1992), pp. 34-35, p. 41.
6Jacques Lacan: "Seminar on 'The Purloined Letter'", in The Poetics of Murder : Detective Fiction and Literary Theory, Glenn W. Most et al. eds., 1983, pp. 21-54.
7Patricia Merivale, "Gumshoe Gothics: Poe's 'The Man of the Crowd' and His Followers ", in Detecting Texts: The Metaphysical Detctive Story from Poe to Postmodernism, Patricia Merivale and Susan Elizabeth Sweeney eds. (Philadelphia: U of Pennsylvania P, 1999), p. 112.
8Stefano Tani, The Doomed Detective: The Contribution of the Detective to Postmodern American and Italian Fiction (Carbondale: Southern Illinois UP, 1984), p. 40.
9E. M. Wrong, "Tales of Crime and Detection" in The Art of the Mystery Story: A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 19.
10Ben Ray Redman, "Decline and Fall of the Whodunit , in The Saturday Review, New York, Vol. XXXV, no. 22, May 31, 1952, 8 页.
