筱田正浩电影中的身份问题探析

An Analysis of the Identity Issues in Masahiro Shinoda' Movies

身份认同是西方文化研究中一个非常重要的概念,受到了新左派、女权主义包括后殖民主义的特别青睐。本文选取筱田正浩导演创作生涯中近34部作品作为一个整体研究对象,对导演各个时期代表性影片中关于身份意识的找寻与表达从三个方面展开阐述:分别是自身身份意识的找寻、女性形象的隐喻化表达以及日本传统文化的民族身份体现。从影片的叙事内核到形式语言上,全方位地对这位深谙日本传统文化艺术的大师的作品做一次有关身份问题的探析。

Identity is a very important concept in Western cultural studies, and it is particularly favored by the new left and feminism, including postcolonialism. This paper selects nearly 34 works in the career of director Masahiro Shinoda as a whole research object, and elaborates on the search and expression of identity consciousness in the representative films of directors in different periods: three are their own identity consciousness search, female image The metaphorical expression and the national identity of Japanese traditional culture. From the narrative core of the film to the formal language, I have done a comprehensive analysis of the identity of the master of Japanese traditional culture and art.