“诗”与“诗赋”之间——以《汉志·诗赋略序》诗赋观为中心

The Relationship between “Shi” and “ShiFu”——Centering the Concept of Shi-Fu in “Shi-Fu LueXu”, Hanzhi

由于《汉志·诗赋略》从《六艺略》之《诗》家别出,故'诗赋'与'诗'之间存在密切的关系,这在《诗赋略》序文中也有鲜明的体现。从春秋赋《诗》制度的衰亡到失志之赋的创作,完成了对《诗》文化价值功能的衔接与转化。荀卿、屈原的赋文创作实现了对诗讽谕之义的传承,而扬雄、刘氏父子及班固的赋观念则表现了对诗之讽谕和古诗之义的坚守。序文中的歌诗观不仅与《诗》家序'哀乐之心感,而歌永之声发''观风俗,知得失,自考正'的观念有紧密的联系,而且对其也有进一步的发展。

In view of the fact that Preface to ShiFu in Hanzhi comes out of the Shiof Six Yi Lue,there is a close relationship between'ShiFu'and'Shi',which is also clearly reflected in the Preface to ShiFu.The decline of composing Shisystem in Spring and Autumn period to the creation of the Fu with the loss of willhas completed the convergence and transformation of the cultural value function of Shi.The Shi written by Xun Qing and Qu Yuan realized the inheritance of the ironic meaning of Shi,while Yang Xiong,Liu’s father and son and Ban Gu’s concept of Fu showed the adherence tothe meaning ofthe ironic of Shiand ancient Shi.The concept of Ge Shi embodied in the preface is not only closely related to the concept of'the music that feels sad in the heart is expressed through singing'and'observe folk customs,understand their own gains and losses,self-investigation and correction',but also has a furtherdevelopment to the concepts.