论审美现象学

The Theory of Aesthetic Phenomenology

现象学在胡塞尔以后,形成了三种走向。第一种走向是由先验现象学变成了经验现象学。第二种走向是由在场的现象学变成了缺席现象学。它们都不能最终解决领会存在的意义问题。第三种走向是建立审美现象学。审美体验符合了现象学的一般规定,成为充实的现象学:审美体验以其超越性悬搁了现实意识,成为充分的非自觉意识,从而回归了纯粹意识。审美体验以其彻底的意向性克服了主客对立,实现了我与世界的同一,从而使现象显现。审美体验以其审美理想使世界的本质呈现,从而领会存在的意义。

The phenomenology turned into three kinds of development trend after Husserl's theory.The first one is the change from transcendental phenomenology to experience phenomenology.The second one is the transformation from the present phenomenology to the absent phenomenology,which cannot solve the problem of comprehending existence in the end.The last one is the tendency to build aesthetic phenomenology.The aesthetic experience conforms to the general provisions of phenomenology and becomes substantial phenomenology:As its transcendence,aesthetic experience breaks away from reality awareness and turns into full consciousness.In this way it returns to the pure consciousness.With the characteristic of exhaustive intentionality,the opposition of subject and object's melting is reflected in the aesthetic experience.The unification of subject and object makes phenomenon appear.With its aesthetic ideal,aesthetic experience expresses the world essence,so as to comprehend the meaning of existence.