摘要
美学从其诞生之日起,就被称为'感性学'。本文认为,这种观点是一种西方式的偏见,是把古希腊艺术及其模仿说普遍化的结果。审美经验和艺术活动的根本特征不是感性而是直观。直观是一种本源性的认识能力,感性和理性都是从其中分化和发展而来的。只有把审美经验确立为一种直观活动,才能从根本上确立审美和艺术活动的真理性,并且一劳永逸地消除'艺术终结论'。
Aesthetics has always been regarded as knowledge of sensibility.In my opinion,this is out of western prejudice,which generalizes the Greek art and the theory of imitation.The basic character of aesthetic experience and art should be intuition rather than sensibility.Intuition is the original ability of human knowledge,from which sensibility and rationlity arises.Only in this way,the truth of art could be confirmed,and the theory of“art's ending”would be confuted.
作者
苏宏斌
Su Hong-bing(Department of Chinese Language and Literature,Zhejiang University,Hangzhou,310028,China)
出处
《厦大中文学报》
2014年第1期11-18,共8页
Journal of Chinese Studies,Xiamen University
关键词
感性学
感性
理性
直观
aesthetics
sensibility
ration
intuition