杨春时先生的美学思想历程

Revisiting the Becoming of Yang Chunshi’s Aesthetics

杨春时先生是后实践美学的代表人物之一,他走出实践美学,建立了主体间性-超越论美学。本文主要考察杨春时美学体系的共时和历时特征,并探寻该体系生发演变的逻辑和文化意义。本文认为,历时层面上,从理论资源来看,杨春时先生从20世纪80年代初至今,先后受到早期马克思主义、现代性、现象学-存在论,以及中国古典文论的洗礼,走过了从主体性到主体间性的理论历程;共时层面上,他在2010年后建立审美现象学和现代性文化思想体系,这两个体系看似分立,实则贯通,见证着杨春时先生独特的求真与求善之道,并在建立中华美学的事业中实现求真与求善、自由与自然的合题。对杨先生体系共时和历时方面的考察,有助于理解他对现代中国美学的意义。

Yang Chunshi’s exceptional contribution to post-practical aesthetics manifests itself as his declaration of independence from practical aesthetics and a journey to his aesthetic phenomenology with twists and turns.Yang has been influenced by early Marxism,theory of modernity,phenomenological ontology,and ancient Chinese thoughts.This essay is both a diachronic account of the development of Yang’s aesthetics and a synchronic concern of his aesthetic phenomenology and thoughts of modernity,which do not seem to be related at first glance.