摘要
《红楼梦》通过"凤凰"意象将王熙凤与贾探春自然对接,一显一隐,一反一正,相互对比又相互映衬,交错呼应又相反相成,构成别具匠心、有机组合的艺术镜像。对比映衬艺术不仅使王熙凤与贾探春构成"两山对峙,二水分流"、相映成趣的审美格局,而且以复调的方式奏响了封建末世的哀音,从整体上显现出丰富而深刻的悲剧内涵。
Wang Xifeng and Jia Tanchun had been connected naturally by the image of 'Phoenix'in A Dream of Red Mansions.One was obvious, the other was implied. One was negative, the other was positive. They had the mutual contrast, staggered echo,been opposite and complementary which constituted a creative and organic combination of art mirror. Art of contrast not only makes Wang Xifeng and Jia Tangchun form the aesthetic pattern of 'Two mountain confrontation,two water diverging'but also reflects the interesting aesthetic pattern. Moreover,it played the mournful tone of the late feudal era in a polyphonic way,showing a rich and profound tragic connotation on the whole.
作者
魏颖
WEI Ying(School of Literature and Journalism,Central South University,Changsha,Hunan 410083)
出处
《中国文学研究》
CSSCI
北大核心
2019年第1期58-63,共6页
Research of Chinese Literature
基金
2018年湖南省哲学社会科学基金成果立项项目"性别视角中的女性形象与文化语境研究"(18CGA006)
关键词
王熙凤
贾探春
凤凰
对比
映衬
Wang Xifeng
Jia Tanchun
phoenix
contrast
set off against each other