“再整合”中的文化重镇——以1966年前后的茅盾批判为中心

Cultural Center in “Reintegration”——Centered on Mao Dun's Criticism Around 1966

茅盾是共和国的文化重镇,具备巨大的文化影响力和知识分子示范作用,这是其被"再整合"进1966—1976年间激进意识形态版图的重要原因。但这一思想文化整合过程反复跌沓,1966年前后茅盾经历了"大连会议"批判运动中的保护过关、《林家铺子》批判声浪中的"有保留"的批评、承受了文化部内部的点名批判。此后,在接受政权提供的政治安全和人身保护之时,也遭到了造反组织所办小报的攻击。我们固然可以从中看到激进政治文化力量对重要文化资源进行"再整合"的"建构性"企图,但也不应模糊其悖逆文化发展的本质。

Mao Dun was a critical author in the cultural center of China. His colossal cultural influence and the fact of being paradigmatic prototype for the intelligentsia had given way to his re-integration into radical ideology territory during the period from1966 to 1976. Since the process of ideology and culture had taken a road littered with boulders and pitted with holes,Mao Dun had gone through the ordeal in criticism movement of Dalian Conference and fortunately been convoyed to safety. His literal works The Shop of Lin Family endured limited criticism. He had also been suffered from the Ministry of Culture within the name of criticism. Although he had been offered political safety and personal protection from the authorities afterwards, he had borne the trenchant abuse from tabloids issued by rebel organization in the meantime. Although we could make out the constructive attempt with which radical political and cultural power endeavored to reintegrate critical cultural resources,we could not blur its essence that stood out against cultural development.