摘要
新世纪以来国产喜剧片发展势头迅猛,但是与高票房相反的是喜剧电影的低口碑,"不搞笑"成为当下喜剧片面临的最棘手的问题。作为替代性补偿,笑声的缺失反而激发了大量观众跳脱出文本,将喜剧片视为素材,进入狂欢式"吐槽"的二度创作当中,"吐槽"喜剧作为喜剧片的外设,成为比喜剧片更具有喜剧性的喜剧景观。网友对喜剧片进行破坏也蕴含着"吐槽"向喜剧逆向反哺的可能性,为喜剧片提供了一种重新升格为精品文本的新路径。
Domestic comedy has been developing rapidly since the new century,but what is contrary to its high box office is the low reputation of comedy films.'Not funny'has become the thorniest problem that comedy faces at present.As an alternative compensation,the lack of laughter has inspired a large number of audience to jump out of the text and initiate the second creation of the text through the carnival'complaint'by regarding comedy as authoring materials.This is the peripheral of comedy and has become a comedy landscape more comic than comedies.However,netizens’destruction of comedy also contains the possibility of'complaint'feeding back to comedy,which provides a new path for a comedy to be upgraded into a high-quality text.
作者
牛琳
NIU Lin(Shanghai Film Academy,Shanghai University,Shanghai,200072)
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第2期118-122,128,共6页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
国产喜剧片
吐槽
互联网
二度创作
反哺
Domestic comedy
Complaint
Internet
The Second Creation
Reverse Feedback