中西荒诞派戏剧之比较

A Comparative Study of Chinese Theatre of the Absurd and Western Theatre of the Absurd

荒诞派戏剧于20世纪50年代初期在欧洲崛起,于80年代初期开始影响中国,对中国戏剧界产生了冲击波,一些人写了荒诞剧,由于中西方剧作家对荒诞剧理解上的迥异,中西方荒诞剧作品中在主题的表达、人物的塑造、时空的安排、语言的运用等多方面有较大的差异,在"荒诞剧热"已经降温的今天,对荒诞派戏剧的社会意义与艺术价值进行冷静客观的分析是有意义的。

The Theatre of the Absurd came into being in Europe in the early 1950s and began to influence China in the 1980s. Then Chinese playwrights were interested in writing absurd plays. Owing to different understanding,the writing styles of Chinese playwrights and western playwrights are greatly different in themeprobing,characterization and many other respects. Now it is necessary and important for us to make objective analysis and comments on the Theatre of the Absurd.