摘要
《声无哀乐论》体现了嵇康独特的音乐欣赏思想。其主要观点有 :音乐欣赏的本质在于人获得“和声”的音乐美感 ;音乐欣赏的过程是欣赏主、客体互动统一的两个心理层次 ;音乐欣赏的功能在于以“无声之乐”标识自由人格及移风易俗。
Ji Kangs work ' Tone has no sadness or happiness 'embodies his unique music appreciation theory. According this question,his main ideas are:Music appreciations essence lies in the subject gets harmonious tones musical aesthetic feeling. Music appreciations process is two psychological levels on the appreciative subject and objects reciprocation and unity. Music appreciations function is manifesting free personality through noiseless music and transforming social traditions.
出处
《韶关学院学报》
2003年第8期125-129,共5页
Journal of Shaoguan University
关键词
嵇康
音乐欣赏
主体
客体
Ji Kang
music appreciation
subject
object