摘要
文章试图通过对《十面埋伏》、《霸王卸甲》的标题及写实与写意手法的分析,探寻我国民族器乐曲的标意性标题对创作、表演和欣赏三者的积极作用。
The paper, through analyzing the titles and the expressive and implicative methods of some traditional Chinese instrumental music works, explores the positive roles of of the caption titles of the Chinese instrumental music works on the creation, performance and appreciation.
出处
《新疆师范大学学报（哲学社会科学版）》
2003年第3期156-158,共3页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
关键词
标意性
创作
表演
欣赏
caption
creation
performance
appreciation
positive roles
