论学者在书法艺术上的地位与作用

Position and Influence of Intellectuals in the Art of Calligraphy

书法艺术是一门既古老又年轻的学科,从魏晋至民国,由于知识精英的参与使得这门艺术更加富有深邃而博大的精神内含。“书卷气”(帖学)的艺术格调占据着书坛领域大半壁江山,作为知识精英,书法应是手中驾轻就熟的“尖头奴”,而不被“笔”所桎梏。学者笔下本身所具有的特质的“书卷气”,是单纯书写的“书法家”所望尘莫及的。

The art of calligraphy is an old and new subject. From Weijin dynasty to Xinhai Revolution, the art had become more profound and extensive because of intellectuals participated in. The main style in calligraphy is 'shujuanqi'(tiexue). The faulty and students of universities should be skilled in handwriting and not be shackled by 'bi'. The handwriting of intellectuals is unique, quite different from that of the experts of calligraphy and too inferior for them to bear comparison.