摘要
本文以评读儿童文学作家梅子涵新创作的儿童小说为引起,主要从儿童小说叙述方式中切入点和叙述视角的技术层面上,探讨典型儿童小说在创作上形成的、童年故事童年精神与成人创作理念相融合的一个无痕的二次元世界。即强调作品在贴近儿童心灵、附和儿童精神的同时,将成人作家所拥有的人生经验和思想积淀,潜藏在浅显朴拙的故事背后。并以此建构儿童小说的本体意义。
Starting from reading and appraising Mei Zhihang' s children' s novels, this paper discusses technically the dualistic children' s novel writing methods through the elements of the cutting - in narrating method and narrating angle. The article probes into the so called Integrated Dual World lying behind the plain and shallow stories in typical children' s novel composition, which shapes as of the collaboration of childhood story, childhood spirit and adult' s ideology to get the works to close to childhood spirit and chime in with their ideology together with adult writer' s life experience and idealistic condense.
出处
《上海师范大学学报(哲学社会科学版)》
2003年第5期83-89,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)