摘要
20世纪三四十年代至今,各民族美术家从五彩缤纷的少数民族生活中,创作出大量生动新异的美术作品。这些作品以不同角度展现了少数民族的历史文化底蕴、现代化进程的演进印迹、审美情趣和心灵精神。
Based on the colorful life of minority nationalities, arts from different nationalities created a great number of fine art works in 1930s and 1940s. These works show the history and culture, the trace of development toward modernization, aesthetic sense and the mentality of Chinese minority nationalities from different angles.
出处
《中南民族大学学报(人文社会科学版)》
CSSCI
北大核心
2003年第5期183-184,共2页
Journal of South-Central Minzu University (Humanities and Social Sciences)