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论华裔美国男作家的主体意识 被引量:4

Male Subjectivity in Chinese American Literature
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摘要 本文从华裔美国作家赵健秀和李健孙的小说创作出发 ,分析华裔文学中男子主体性的缺乏 ,历史的断层以及由此遭到的排斥。通过寻找理想的父亲形象和重塑华裔的阳刚之气 ,赵健秀和李健孙重新确立了华裔男子的主体地位。
作者 王光林
出处 《当代外国文学》 CSSCI 北大核心 2003年第3期18-23,共6页 Contemporary Foreign Literature
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参考文献10

  • 1Frank Chin et al. eds., Aiiieeeee !: An Anthology of Asian American Writers (1974), New York: Penguin, 1991, p. xiii.
  • 2Jeffery Paul Chan et al. eds., The Big Aiiieeeee !:An Anthology of Chinese American and Japanese American Literature, New York: Meridian, 1991, p.xiii.
  • 3King- Kok Cheung, "The Woman Warrior versus the Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?" in Marianne Hirsch and Evelyn Fox Keller, eds., Conflicts in Feminism, New York: Routledge, 1990, p. 234.
  • 4Frank Chin, Donald Duk, Minneapolis: Coffee House Press, 1991.
  • 5David Lei - Wei Li, Imagining the Nation: Asian American Literature and Cultural Consent, Stanford:Stanford University Press, 1998, p. 126.
  • 6Gus Lee, China Boy, New York: Dutton, 1991.
  • 7Cliff Cheng, "Marginalized Masculinities and Hegemonic Masculinity: An Introduction," in Journal of Men's Studies 7:3 (Spring 1999).
  • 8Brian Moon, "Theorizing Violence in the Discourse of Masculinity," in Southern Review: Literary and Interdisciplinary Essays 25:2 (July 1992), p. 196.
  • 9Viet Thanh Nguyen, "The Remasculinization of Chinese America: Race, Violence, and the Novel," in American Literary History 12. 1 & 2 (2000), p.131.
  • 10Fredric Jameson, The Political Unconscious: Narrative as a Socially Symbolic Act, Ithaca: Cornell University Press, 1981.

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