摘要
20世纪80年代中期之前，中国知识界对女性主义的偏见、抗拒与误读，中国妇女解放运动自身的特点以及女性主义诗学本身呈现的后现代性与中国国情之间的错位等等，不仅导致了女性主义诗学在中国传播与实践的滞后，亦与中国文论界引进“新方法”的众声喧哗形成了对照。双重落差不仅制约、甚至决定着女性主义诗学在中国的基本形态与发展走向。
Before mid-1980s, the prejudice, resistance and misreading in Chinese academy, characteristics of Chinese women's liberation movements and the malposition of post-modernity in Feminist Poetics with Chinese situation not only lead to the falling behind of Feminism in China, but also cause the contrast with the 'new methods' prosperity in Chinese critical field. The dual drop restricts and decides the basic form and developing trend of Feminist Poetics in China.
出处
《中国比较文学》
CSSCI
2004年第1期136-148,共13页
Comparative Literature in China
