以苏轼为例:中国哲学语境中的诗画理论

Take Su Shi as an example:The Painting and Poetry Theories in the Context of Chinese philosophy

中国诗画理论历来存在着诗评与画评标准的不一致性,但中国诗画理论又在美学精神上达到了对诗画共同艺术本质揭示的高度。苏轼"诗中有画""画中有诗"的命题就是对中国诗画艺术创作经验和理论的一次高度总结和归纳。在苏轼的这个命题中,前者揭示了中国传统诗歌追求"画境"的形下取向,而后者则揭示了中国传统绘画追求"诗意"的形上取向。中国诗画理论特别是苏轼诗画命题与中国哲学道器观有着深刻的内在联系,中国哲学道器观为中国诗画理论提供了哲学背景和言说语境。

There have existed inconsistent standards for the poetry and the painting in Chinese history. However, both theories have achieved such a height as to the discovery of the essence of art in an aesthetic sense. 'The poems containing picturesque scenes' and 'the pictures with some poetic flavor' proposed by Su Shi were a highlighted pithy summary of the painting and poem-creating experiences in China. Chinese poetry and painting theories, especially that of Su Shi's, were closely related with the philosophy of Daoqi in China, which laid the philosophic background and the linguistic context for these theories.