摘要
本文从西方古代、近代和现代出发 ,尤其着重于后现代 ,对西方美学家关于崇高的理论思想进行了探讨 ,指出他们的理论弱点是脱离社会实践。然后立足于实践美学 ,将崇高这一美学范畴结合社会实践进行了探讨 ,提出崇高是主体与客体的矛盾冲突在对象世界中展现出来的矛盾斗争过程 ,是人类在改造世界的伟大斗争中主体与客体由矛盾对立、激荡冲突趋向统一 。
The article, explores, first of all, the western aesthetic theorists' main ideas on the category of sublime in ancient times, and modern times, and especially in post modern times. It points out that their deadly weak point is all their theories are not based on the social practice. And the article, combining with social practice, studies the category of sublime based on the practical aesthetics. It then puts forward that the sublime is a conflicting process in which the conflict between the subject and the object in the world is shown. The sublime is the beauty with movement in which goodness and truth, the subject and the object are united from their great conflicts by which man practices in the world.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2004年第1期38-43,共6页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金项目"马克思主义实践美学范畴体系"( 0 1 BZX0 44)阶段性成果
关键词
崇高
美(优美)
实践
实践美学
自由
动态美
sublime
beauty
practice
practical aesthetics
freedom
the beauty with movement