摘要
比照不同历史情势下的审美文化形态、布局和特征，可以揭示形成当下审美世俗欲望书写的文化动因：“五四”与“文革”后的两次解构努力；九十年代后来自民间的世俗娱乐之风。
Comparing the formation, distribution and characteristics of aesthetic culture in different historical situation, scholars can find two cultural incentives to the narration of worldly desires in modern aesthetic culture.One is the tide of deconstruction in the May 4th Movement and after the Great Cultural Revolution, the other is the popular recreational mood after 1990s.
出处
《株洲师范高等专科学校学报》
2004年第1期34-37,共4页
Journal of Zhuzhou Teachers College
关键词
世俗欲望书写
五·四
文革
20世纪90年代
narration of worldly desire
the May 4th Movement
the Great Cultural Revolution
1920s
