宋代杂剧南传形式的文物遗存——四川大足石窟“六师外道谤佛不孝”群像考

The Historical Remains Of The Modality For The Poetic Drama Dissemination South In Song Dynasty

本文通过文物与文献的互证,对大足石窟中留存的“六师外道谤佛不孝”群像的文化含义作了音乐的考察,认为这组群像是宋代南方杂剧活动在佛教石窟中“世俗化”的物态遗存,可以视作宋代杂剧“五花爨弄”的表演形式及鼓、板、笛乐器伴奏形式,通过对佛经故事的表演而得到了别种展现。

Through the corroborated between the cultural relic and the historical documents, the writer from the viewpoint of the music observed the figures of the stone inscription in the grotto in Da-zu (in Sichuan province) , and he believed that the set of those statues were the historical remains of the poetic drama in the south in Song Dynasty. They could be looking as to demonstrate the modality of performance poetic drama with the accompaniment way of the drum, board and bamboo flute by playing sutra story.