摘要
本文为作者在2003年中国成都国际现代音乐节暨全国中青年作曲家新作品交流会上的会议总结,认为会议上发表的166部现代音乐新作品,展示了创作繁荣的局面和日臻成熟的趋势。提出今后的创作须注意声与情的结合.个性的追求,作品的可听性;坚持探索,锐意创新,与时俱进的态度。
This article was the writer's speech in the Chengdu International Contemporary Music Festival 2003. There were 166 new music works all together played in that conference, which showed the flourishing situation of the Chinese contemporary music creation. The writer mention that the musicians should pay attention to combine the sound with the feeling while they composed, and coales-cent of the individuation with the popularization.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第1期81-83,共3页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
中国成都
国际现代音乐节
音乐创作
作曲家
新作品
2003, Chengdu City in China, International Contemporary Music Festival, the conference of new music works, music creation