摘要
文章是对张志远创作的扬琴与乐队合奏曲《燕歌行》的评论,从结构、调域及文化三个方面进行了描 述、分析及解读。认为《燕歌行》是一首以五声为骨干、以同官9声为基础,将可听性与学术性完美结合的民乐佳 作。
This article reviewed on Zhang Zhiyuan's composition Yan Ge Xing, a work of yangqin with Chinese band. The writer described and analyzed the piece from three aspects; structure, domain of modes and culture, and regarded the Yan Ge Xing as an excellent Chinese music work, combined academic style with popularization perfectly.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第1期84-88,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
燕歌行
调域
调式半音
同宫9声
四宫四变
Yan Ge Xing, domain of mode, modes-semitone, 9 tone with the same gong