摘要
浪漫主义作曲家李斯特创用的“交响诗”这一音乐体裁。是欧洲音乐发展中最重要的事情之一,李斯特共写有13部交响诗,这些作品为“交响诗”这一新的音乐体裁的确立奠定了基石。在李斯特的交响诗作品中,《前奏曲》是最具代表性的作品,作品在作曲技法上,特别在和声技术上所表现出的风格特征,具有浪漫主义音乐风格的代表意义。文中对此作了较详细的解读,主要包括:和声的基本逻辑特征,转调手法的主要特点,近现代和声思维的前探等内容。
The Symphonic Poem, a music style created by Romanticism composer Ferencz Liszt, was one of most important events in European music history. There were 13 symphonic poems composed by Liszt, and they established the Symphonic Poem, a new music style. Among those works, the Les Preludes (1856) was the most representative one, its composition technique, especially the style characteristic on harmonic technique, took on the significance of the music style in Romanticism. This article discussed those issues in details, the main part included the basic logical features of harmony, the characteristic of modulation as well as the exploration of the modern harmonic ideas.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第1期89-93,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
李斯特
交响诗
《前奏曲》
和声特征
认知
Ferencz Liszt (1811-1886), Symphonic Poem, Les Preludes (1856), harmonic feature, cognition